A crucial job after purchasing a camera is to invest in a premium quality lens. An expensive camera with a random lens is like a car with half-punctured wheels: it is useless.
However, choosing the right lens is not child’s play. Photographers must consider their job, shooting location, camera specifications, and budget, along with many other factors. Fortunately, the market is full of cheap lenses that deliver exceptional performance similar to their higher-end counterparts.
Our list of the best lenses for Sony A7III includes lenses by renowned manufacturers with excellent specifications, Including a powerful AF system and superior sharpness.
Best Lens for Sony a7III
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| Sony FE 24-70 mm F/2.8 | Sony FE 16-35mm F/2.8 | Tamron 28-75mm F/2.8 |
Sony a7III Lenses Reviews
1. Sony FE 16-35mm F/2.8 GM Wide-Angle Zoom Lens
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- Focal length: 16-35mm
- Maximum aperture: f/2.8
- Minimum aperture: f/22
- The angle of view: 107ﾟ-63ﾟ
- Min focus distance: 0.28m (0.92 ft)
- Focus type: Manual
- Image stabilization: body-integrated
- Weight: 680g
Design
The lens includes five aspherical elements: two XA elements to minimize aberrations, two ED glass elements to decrease chromatic distortion, and a Nano AR coating to limit internal reflections.
One of the best parts of this lens is its ability to shoot underwater. It features underwater housing that allows close distance framing for minimal visual damage to the image.
Performance
Most beginners opt for a general-purpose lens, while enthusiasts prefer a wide-angle zoom lens for specific shots. Fortunately, the Sony FE 16-35mm f/2.8 GM Lens meets both purposes’ requirements with a focal range of 16-35mm. This range works excellent with the ultra-wide 107-degree angle of view down to the moderately wide angle of 63-degrees. It is safe to say that this lens is the ideal companion to bring along to your landscape photography trips. Wide-angle lenses enlarge the foreground subject against the distant yet captivating background for sharper images.
However, Sony FE 16-35mm f/2.8 GM Lens is excellent for portrait photography, too, considering the 35mm focal length: we grabbed some perfect environmental portraits of our peers while traveling.
Further on, the lens has a max aperture of f/2.8, unlike other wide-angle lenses that work with narrower apertures. This unique feature redefines night-time shots and delivers an impressive ‘bokeh,’ i.e., a blurred background effect. Moreover, the max aperture is fixed throughout the focal range- another benefit of working with the Sony FE 16-35mm f/2.8 GM Lens.
Every lens needs an effective image stabilization system, and Sony meets the need. The lens utilizes a built-in Steady Shot system rather than optical stabilization, which stabilizes the imaging sensor. As a result, the image displayed on the EVF appears relatively stable. The final images were brilliant: they had an excellent resolution, minimal to no distortion with remarkable clarity and contrast.
Conclusion
Sony FE 16-35mm f/2.8 GM Lens is an excellent lens to accompany your mirrorless camera. Sony never fails to satisfy photographers with its wide range of premium lenses, and the Sony FE 16-35mm f/2.8 GM Lens is a great example. It manages to cover a significant focal length in a wide aperture without deteriorating the image quality.
What we like:
- Reliable performance
- Superb levels of sharpness
- Well-built and versatile
What we don’t:
- Expensive
2. Sony FE 24-70 mm F/2.8 GM Zoom Lens
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- Focal length: 24 to 70mm
- Maximum aperture: f/2.8
- Minimum aperture: f/22
- The angle of view: 84° to 34°
- Min focus distance: 1.25′ / 38 cm
- Focus type: Autofocus
- Image stabilization: None
- Weight: 886 g
Design
Sony has an odd-numbered aperture blade count, i.e., nine blades for an 18-point effect. There are two aspherical and nano-coating, ED element, Super ED element, and one XA element. Because of the wide aperture, the lens features comparatively larger details that add to the weight as well; however, it’s not a significant issue for most enthusiasts. Moreover, the relatively large body is water/dustproof for protection against environmental conditions.
Performance
One of the essential features of a lens is to offer a reliable focal length range to cover a wide variety of perspectives. The Sony FE 24-70mm f/2.8 GM Lens gives you the best of both worlds with its ability to shoot at a wide-angle of view up till the short telephoto end. Sony covers the critical focal lengths, making the lens excellent for capturing the scenery and portrait photography. Moreover, it minimizes linear distortion for a straight view of walls and buildings at 28-30mm.
Further on, this lens is one of the few full-frame lenses that offers a maximum aperture reach beyond 35mm or, more specifically, a max aperture reaches throughout its focal length range. The wide aperture allows users to work with lower ISO settings and slow shutter speeds. Another advantage of this feature is that the shallow depth of field omits useless background details from the frame: this works best at 70mm.
Like other Sony lenses, the Sony FE 24-70mm f/2.8 GM Lens utilizes the built-in Steady Shot image stabilization system instead of an optical stabilization system. The IBIS works with the EVF by stabilizing the imaging sensor for a stable AF-based image. Coming to the image quality, most people opt for an f/2.8 lens to get sharp images at the widest aperture. Sony doesn’t disappoint the users by delivering images with superior center sharpness throughout the focal range.
Conclusion
The Sony FE 24-70mm f/2.8 GM Lens is an excellent addition to your lens collection. It belongs to their signature GM range famous for its general purpose focal length range, brilliant results, and reliable performance. As a result, users experience an outstanding shooting experience when they pair the Sony FE 24-70mm f/2.8 GM Lens with Sony’s innovative sensor technology.
What we like:
- Ultra-sharp performance
- Wide aperture
- Great build
What we don’t:
- Noticeable distortion
- Expensive
3. Sony FE 24mm F/1.4 GM Full Frame Wide-angle Prime Lens
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- Focal length: 24mm
- Maximum aperture: f/1.4
- Minimum aperture: f/16
- The angle of view: 84°
- Min focus distance: 0.24 m (9.45″)
- Focus type: Autofocus
- Image stabilization: None
- Weight: 445 g
Design
The Sony FE 24mm lens features 13 elements in 10 groups with Nano AR coating to minimize ghosting and flare. It feels robust, while the layout includes rings and switches with precise markings. Moreover, the fluorine-coated exterior makes the lens dust and moisture resistant.
Performance
While purchasing a lens, you must consider the focal length range as a primary factor. The Sony FE 24mm lens is famous for its versatility: it’s ideal for landscape photography and works well for interior or product photography. The 24mm length focuses on the entire scene without shrinking the distant details. When combined with a wide aperture, brilliant images were taken under low light. Further on, the ultra-wide max aperture of f/1.4 opens up several photography opportunities such as low-light shooting, working with low ISO’s and slow shutter speeds as well as creating a nice bokeh effect. The aperture diffusely blurs the background to bring the main subject into focus in an aesthetic manner.
Image quality is impressive, if not better, than other lenses with incomparable corner sharpness at f/1.4. Vignetting and lateral chromatic aberrations are not major issues at wide apertures, but they need to be processed post-production at narrower apertures. The elements and coating result in a minimal flare, i.e., better contrast and improved color rendering. With the right aperture settings, there is no better lens than Sony for astrophotography. Moreover, linear distortion is well-controlled because of the single focal length.
Moving on, Sony utilizes a Direct Drive Super Sonic Wave Motor as a focusing system for three times the power of its rival’s systems.
Conclusion
The Sony FE 24mm f/1.4 GM Lens is a force to be reckoned with. There were only two reasons why it was sold out across the market soon after its release: stellar image quality and outstanding performance. Moreover, the price and compact design made it famous amongst enthusiasts and travelers alike. What else does one need in a lens?
What we like:
- Versatile
- Impressive control over ghosting and flare
- Low linear distortion
- Powerful focusing system
What we don’t:
- Strong peripheral shading
- Vignetting at narrow apertures
4. Zeiss Batis 2/25 Wide-Angle Camera Lens
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- Focal length: 25mm
- Maximum aperture: f/2
- Minimum aperture: f/22
- The angle of view: 82°
- Min focus distance: 7.87″ / 20 cm
- Focus type: Autofocus
- Image stabilization: None
- Weight: 335 g
Design
Zeiss features a rubberized focus ring that makes manual focusing relatively easier. With a moderate size and overall squat profile, traveling with it is not a hassle. Moreover, the strong plastic body is weather-sealed, dust/moisture resistant for protection against hostile shooting conditions.
Performance
Fortunately, Zeiss Batis comprises an autofocus system instead of a manual focusing system like other Zeiss lenses. The one word to describe the overall performance is ‘sophisticated’ as it is brisk, precise, and silent: perfect for avoiding unwanted attention. The focusing modes of your Sony A7III work well with this lens, but there are certain limitations with the Eye AF mode when the subject is too far away.
Zeiss maximizes the potential of the lens for stellar image quality. Their lenses are not here to disappoint when it comes to image sharpness, and the Zeiss Batis 25mm lens remains true to its reputation. The resolution is even throughout the frame, with a more compelling edge-to-edge performance than other lenses in the Batis range. We found the sharpness and contrast at f/2 incredible, to say the least, with an optical performance at f/2.8.
Moreover, it has reasonable control over distortion and vignetting with excellent results at f/2.8 (read: no chromatic noise). Chromatic aberrations are present if you view the images at a pixel level but almost unnoticeable otherwise. Zeiss is an excellent lens for landscape photography with superior sharpness at every aperture and exceptional contrast and resolution results.
Conclusion
The Zeiss Batis 25mm lens may not be one of the market leaders’ products, but it indeed is not a disappointment. The superior build quality, incredible ergonomic design, and outstanding optical characteristics make it a tough competitor. All it needs is a slightly lower price to be a part of every enthusiast’s bucket list.
What we like:
- Smooth handling
- Sophisticated AF system
- Minimal vignetting and distortion
- Great color rendition
What we don’t:
- Poor bokeh effect
- Expensive
5. Sony FE 85mm f/1.4 GM Lens
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- Focal length: 85mm
- Maximum aperture: f/1.4
- Minimum aperture: f/16
- The angle of view: 29°
- Min focus distance: 2.62′ / 80 cm
- Focus type: Autofocus
- Image stabilization: None
- Weight: 820 g
Design
The lens features an aperture ring for manual aperture selection. An ultra-wide max aperture means that the lens is relatively bigger and heavier in size, but the image quality compensates for it. It feels robust and well-designed with a precise focus ring for your ease. Even though the lens is not waterproof, it is dust-resistant and able to bear a few splashes here and there. Sony’s Direct Drive SSM acts as a focusing system with an AF hold button on the lens for composition purposes.
Performance
The Sony prime lens has a focal length of 85mm that suits several photography needs with portrait photography at the top. It is ideal for various framing techniques such as tight head-shots, full-body portraits, and event coverage to an extent. However, landscape and low light photography prove successful owing to the ultra-wide aperture. In short, the Sony FE 85mm lens is very versatile.
Moving on, the f/1.4 aperture allows photographers to make use of low ISO settings and slow shutter speeds without sacrificing image quality. With a shallow depth of field, your images may display an incredible background blur (also known as the bokeh effect) with complete attention to the main subject.
Further on, Sony A7III features a built-in image stabilization (IBIS) which is effective considering that the prime lens lacks an optical stabilization system. However, the image quality is incredible regardless because the IBIS stabilizes the imaging sensor and displays the final results on the EVF.
Sony 85mm does not disappoint us in the department of image quality by delivering optimal results at f/2.8: perfect resolution and contrast. It maintains its sharpness at every aperture with great results at f/1.6 and f/2 in terms of sharpness.
Conclusion
The Sony FE 85mm f/1.4 lens is an optimal choice for combining a medium telephoto focal length and wide aperture. It is the best 85mm prime lens in the market that performs brilliantly in every department, be it design, performance, or image quality.
What we like:
- Very wide aperture
- Superb image quality
- Brisk and silent focusing
What we don’t:
- Lagging aperture ring
- Needs an optical stabilization system
6. Tamron 28-75mm F/2.8 Lens
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- Focal length: 28-75mm
- Maximum aperture: f/2.8
- Minimum aperture: f/22
- The angle of view: 75° 23′ to 32° 11.’
- Min focus distance: 0.19m
- Focus type: Autofocus
- Image stabilization: none
- Weight: 550g
Design
Tamron demonstrates a high level of expertise with their ergonomic ‘Human Touch’ design. With a polycarbonate body for security and a matte satin black finish, the lens meets your needs for both style and strength. There are no buttons to avoid dirt accumulation, while the environmental seals and moisture-resistant construction provide further protection against harsh weather conditions. It is small, light, and easy to carry around- much to travelers’ content.
Performance
One of the most significant factors to consider while purchasing a lens is the focal length range, as it determines the overall perspective of your subject. Tamron offers a decent range of 28-75mm, which suits most purposes; whether you are a landscape photographer or paid to cover the next wedding event, Tamron would not disappoint you. This versatile range makes the lens popular amongst photojournalists. Moreover, the 75mm length is perfect for shooting landscape shots at a distance, while a combination of the wide aperture and 28mm is ideal for night-time shots.
Another benefit of this incredible lens is the wide max aperture: better than its rivals. The aperture proves useful for shooting under dark conditions with low ISO or slow shutter speed settings. Fortunately, Sony A7III features a built-in image stabilization system because the lens does not feature any. The lack of an optical stabilization system might be disadvantageous but positively affects the cost, weight, and size.
Image quality is another excellent feature of the Tamron lens with razor-sharp results across the focal length range. The sharpness drops at 75mm f/2.8 but boasts optimal performance at f/4. Moreover, corner sharpness is better compared to its rivals, if not the best. Thanks to the BBAR coating, ghosting, and flare are minimized, whereas the other issues, e.g., distortion and vignetting, are well-controlled.
Conclusion
The Tamron 28-75mm f/2.8 Di III RXD Lens is a top-favorite amongst photographers, with most retailers stocked out soon after its release. Only compatible with Sony A7III, Tamron offers a versatile focal length range in a travel-friendly and moderately priced body. The final results boast superior sharpness throughout the frame, so there is no reason why one does not need to invest in this lens.
What we like:
- Ergonomic design
- Wide max aperture
- No ghosting or flare
- Incredible sharpness
What we don’t:
- No AF/MF button
- No optical image stabilization
7. Sony FE 24-105mm F/4 G OSS Standard Zoom Lens
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- Focal length: 24 to 105mm
- Maximum aperture: f/4
- Minimum aperture: f/22
- The angle of view: 84° to 23°
- Min focus distance: 1.25′ / 38 cm
- Focus type: Autofocus
- Image stabilization: Yes
- Weight: 663 g
Design
Sony features 17 elements in 14 groups resulting in some flare while shooting bright objects, but it reduces up to a great extent with the Nano AR coating. As we mentioned below, the narrow max aperture means that the lens is more compact and lightweight, thus portable: a treat for people always on the go. Moreover, it is dustproof and splash-proof.
Performance
A great focal length range, similar to that of the Sony FE 24-105mm f/4 G OSS Lens, means that you can select a manual subject distance for the best perspective. It is not the most extreme range we have worked with, but it does the trick. Whether you want to shoot a stunning portrait or the beautiful scenery while hiking, the lens delivers the best performance. The 24mm perspective is useful for landscape photography, whereas 105mm works for capturing distant objects or portraitures.
Further on, the max aperture of f/4 and 105mm is an excellent combination for a blurred background effect. Moreover, the 1-stop narrower max aperture works favoring the lens body even though it reduces low light photography potential. Most lenses face an issue with the aperture narrowing down with every increase in the focal length. Fortunately, Sony retains the f/4 aperture throughout the range for your ease.
Additionally, the lens features a 5-axis image stabilization system, i.e., a built-in Optical SteadyShot system for crystal clear images. While the narrow max aperture ruins the chances of low light photography, the stabilization system saves the day by enhancing the image quality.
A common issue with lenses exploring several territories with their long focal length range is substandard image quality. However, Sony does a great job of delivering images with thorough sharpness. On the other hand, linear distortion and vignetting are two nuisances at 24mm, but the superior sharpness takes our mind off these issues.
Conclusion
The Sony FE 24-105mm f/4 G OSS Lens is an excellent traveling companion considering its general purpose focal length range, average body dimensions, and exceptional image quality. The lens sounds too good to be true, especially after considering the modest price. This versatile device deserves to be a part of your Sony A7III kit.
What we like:
- Budget-friendly
- Vast focal length range
- Light and compact
What we don’t:
- Narrow max aperture
- Partial nano-coating
8. Sony FE 35mm F/1.8 Large Aperture Prime Lens
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- Focal length: 35mm
- Maximum aperture: f/1.8
- Minimum aperture: f/22
- The angle of view: 63°
- Min focus distance: 8.7″ / 22.1 cm
- Focus type: Autofocus
- Image stabilization: None
- Weight: 281 g
Design
If the Sony FE 35mm f/1.8 Lens does not impress you with its specifications, it will impress you with the minimalistic yet sophisticated design. There is a single aspherical lens element while the body itself is well-built. Moreover, it has thorough dust and moisture seals. As a traveler, you would appreciate the compact, portable body that hardly takes up any space in your bag.
Performance
Sony FE 35mm f/1.8 lens features a linear motor that drives the AF system of Sony A7III with remarkable speed and accuracy. Moreover, low light photography produces excellent results, while the silent motor allows photographers to shoot without grabbing unnecessary attention. There is an AF/MF switch to make quick changes between the two modes.
Further on, the lens performs surprisingly well, considering that it is a prime lens with a mid-wide max aperture. Images at exceptionally sharp at f/2.8, while center sharpness is decent at f/1.8. Similarly, corner sharpness is razor-sharp at f/2.8 with minimal vignetting at f/1.8. Moreover, flare and distortion are well-controlled because of limited lens elements, whereas corner aberrations are fixed during post-production settings.
Additionally, 35mm lenses are quite popular because of their versatility, enabling photographers to capture a wide variety of subjects at just half the price. It is excellent for capturing a realistic perspective of the scenario without distorting the other objects in the frame. As a photojournalist, this is your best bet. Sports photographers get tonnes of uses out of this 35mm lens by capturing a broader view of the events and enlarging the action figures.
Despite the lack of optical image stabilization, the lens utilizes the SteadyShot system that stabilizes the imaging sensor for stable images on the EVF.
Conclusion
Travelers consider the Sony FE 35mm f/1.8 Lens an absolute joy because of its portable body and excellent fit specifications for every purpose. We found the final results pretty appealing, while the low price makes it famous amongst enthusiast photographers.
What we like:
- Portable
- Budget-friendly
- Multi-purpose focal length
What we don’t:
- Strong vignetting at narrow apertures
- Lack of optical stabilization
9. Sigma 24-70mm F/2.8 DG DN Art for Sony E Lens
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- Focal length: 24 to 70mm
- Maximum aperture: f/2.8
- Minimum aperture: f/22
- The angle of view: 84.1° to 34.3°
- Min focus distance: 7.09″ / 18 cm
- Focus type: Autofocus
- Image stabilization: No
- Weight: 835 g
Design
Sigma features their signature Super Multi-layer and NanoPorous coating to prevent flare and ghosting. There are two sheets of special low dispersion glass and six “F” low dispersion glass with an overall optical design. Due to the wide max aperture, Sigma is a relatively bulkier lens, but its general-purpose trait covers up for this disadvantage.
Performance
The primary factor that influences a photographer’s lens decision is the focal length range. Not every length provides the ideal angle of view to capture your desired subject. However, Sigma’s 24-70mm range works well as a general-purpose lens with decent lengths for all objects. It is great for traveling purposes where you’d rather carry one lens instead of several custom lenses. The wide-angle works best for landscape photography, whereas 70mm is ideal for mid-body portraits. Moreover, the wide aperture complements the focal range and allows you to capture distant objects in the background at 70mm. With a full-frame angle of view of 36-105mm, shooting portraits makes for an enjoyable experience.
Further on, the f/2.8 wide aperture is useful for shooting in low-light conditions and creating a pleasing ‘bokeh’ effect. What else do you expect from a budget-friendly camera? Thanks to the built-in image stabilization system, the EVF images appear stable because the system works with the imaging sensor itself. The AF system makes use of effective stabilization for better speed and accuracy.
Moving on, Sigma manages to deliver pleasing images with the right combination of resolution, sharpness, and contrast. Vignetting is an issue with most lenses and Sigma, but it gets much better at longer focal lengths. However, color separation is quite strong, at 70mm. There is a stepping motor as an AF system for a fast, precise, and silent focusing process.
Conclusion
For people looking for a reliable lens other than Sony and Canon, we recommend them to opt for the Sigma 24-70mm f/2.8 DG DN Art Lens. This budget-friendly lens features a decent ergonomic design and delivers excellent performance. Moreover, the max aperture pairs well with the focal length range for incredible image results.
What we like:
- Budget-friendly
- Wide focal length range
- Great corner sharpness
What we don’t:
- Colour separation at 70mm
- Flaring at narrow apertures
10. Sony FE 70-200mm f/2.8 GM OSS Lens
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- Focal length: 70 to 200mm
- Maximum aperture: f/2.8
- Minimum aperture: f/22
- The angle of view: 34° to 12° 30.’
- Min focus distance: 3.15′ / 96 cm
- Focus type: Autofocus
- Image stabilization: Yes
- Weight: 1480 g
Design
The Sony FE 70-200mm f/2.8 GM OSS Lens features 11 rounded aperture blades to create a pleasing 22-point aesthetic effect. With Advanced Nano AR Coating technology, the lens suppresses reflections for enhanced image quality. Moreover, the additional fluorine coating helps to repel contaminants for a clean lens surface.
Performance
Now that you got yourself a 70-200mm lens, what would you do with it? This short mid-telephoto focal length proves to be a magic wand for landscape photography. Wide-angle lenses are a useful lens for landscapes, but telephoto lenses emphasize the distant subjects in the scenery. Moreover, the range is ideal for portrait photography, with a great perspective at the wide-angle end. 200mm is a perfect focal length to capture indoor sporting events with the max aperture, further complementing the images. This combination works well for creating a ‘bokeh effect,’ i.e., blurred background for aesthetic reasons.
As we mentioned earlier, the Sony FE 70-200mm f/2.8 GM OSS Lens offers a max aperture of f/2.8 that lets photographers shoot at low ISO settings and slow shutter speeds. Despite adding to the weight, the aperture makes late-night shooting an enjoyable experience. Moreover, this lens features a 5-axis image stabilization system that delivers high-resolution images due to its accuracy and speed. If the other features weren’t good enough, the image stabilization system helps seal the deal. There is a silent OSS system that makes it much easier to frame shots in the viewfinder.
Furthermore, the image results are exceptional, and no, it’s not an exaggeration. The center and corners are incredibly sharp, with optimal performance at f/4. Furthermore, Sony features an advanced double-linear Super Sonic wave motor to focus with utmost speed and precision: the performance was excellent at 200mm f/2.8.
Conclusion
The Sony FE 70-200mm f/2.8 GM OSS Lens is on top of our list of the best telephoto lenses. Sony has come a long way in producing premium quality lenses, and this particular lens delivers incredible AF performance while featuring some high-end features: much better than the rivals.
What we like:
- Incredible 22-point effect
- Great AF motor
- Effective image stabilization
What we don’t:
- Prone to vignetting
- Noticeable flare
Frequently Asked Questions (FAQs): About Sony A7III Lenses
Q: Is it worth buying the Sony A7III?
A: Sony A7III was an excellent way for Sony to enter the overcrowded mirrorless market and steal the audience. One of this device’s best features is the unique AF system that delivers superior coverage with impressive speed and accuracy. Another great feature is the 5-point built-in image stabilization that does not need the support of any lens to wow the photographers. Both of these factors are critical in grabbing the perfect shot of the view. 4K full-frame video shooting is another bonus that results in superior footage when coupled with the image stabilization system.
Sony A7III with a mid-range lens (for less weight) is a perfect combination for travel photographers.
Q: What lens mount does Sony A7III use?
A: Sony Alpha A7III and other Sony mirrorless cameras utilize an E-mount lens mount that works well with several full-frame lenses. Their DSLR cameras, on the other hand, make use of an A-mount.
Moving on, Sony A7III has a pre-installed full-format sensor compared to the commonly used APS-C sensor. The sensor plays a massive role in deciding the compatibility of lenses.
Q: Can Sony A7III use Canon lenses?
A: The simple answer is Yes, Sony A7III and other Sony mirrorless cameras are compatible with most Canon lenses. However, the results may not be similar to Sony or the lenses mentioned above. There are minor issues when it comes to continuous tracking of erratically moving objects or off-center focusing points. Nevertheless, Canon lenses work great while shooting stationary objects.
Q: Are Sony lenses cheaper than Canon?
A: Sony and Canon are the leaders of the camera industry with a diverse range of consumer imaging equipment. However, they have a few differences in terms of performance, image results, and price. There isn’t a definite answer as your lens’s price depends on the sensor, AF system, and any additional features. However, Sony seems to be slightly pricier than its rival when looking at each lens type’s comparison chart.
Conclusion
After reading our list of the best lenses for Sony A7III, we assume that making a decision would be much more comfortable. The process is not as hard as most photographers make it out to be: all you need is a basic knowledge of lenses and the market to make the right choice.
Apart from Sony, several reliable companies, including Sigma and Tamron, have lenses that deliver outstanding performance and impressive results. Moreover, most of the market’s expensive lenses do not guarantee mindblowing results; thus, it is useless to equate a high price to sound quality.