Best Slow Motion Camera – Top 7 Picks (NEW Guide)

Slow-motion cameras are all the rage with the flourishing film industry. Every filmmaker wants to get their hands on a superior quality camera that offers an incredible range of frame rates for super slow-motion footage.  

That’s certainly not all: a high frame rate demands an equally high resolution to do justice to your movie. However, buying a camera with all of the features may seem out of budget, even for a professional filmmaker.  

Fortunately, our list of the best slow-motion cameras includes products by renowned manufacturers, including Canon and Nikon. They offer the best of all features, including stunning image quality, a wide range of frame rates, and numerous features to make your movie a huge success.  

Best Slow Motion Cameras

PANASONIC LUMIX GH5S 4K Digital Camera Sony a7R III Digital Mirrorless Camera Sony Alpha a6400 Mirrorless Camera
PANASONIC LUMIX GH5S Sony a7R III Sony Alpha a6400
  • BEST OVERALL
  • High-resolution viewfinder
  • Multi-aspect sensor structure
    • PREMIUM CHOICE
    • Fast AF system
    • Advanced image stabilization system
      • BEST BUDGET
      • Several video features
      • Reasonable burst shooting speed
      • Slow Motion Camera Reviews

        1. PANASONIC LUMIX GH5S 4K Digital Camera

        PANASONIC LUMIX GH5S 4K Digital Camera

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        See the PANASONIC LUMIX GH5S
        • Pixels: 11.93 Megapixel
        • Lens mount: Micro Four Thirds
        • Max Resolution: 3680 x 2760
        • Sensor: MOS 17.3 x 13 mm
        • Image stabilization: none
        • ISO sensitivity: Auto, 160 to 51200
        • Recording mode: AVCHD, MP4 4:2:0 10-Bit, MOV/MP4 4:2:0 8-Bit and MOV/MP4 4:2:2 10-Bit
        • Focus type: Auto and Manual Focus
        • Weight: 660g

        Features:

        PANASONIC LUMIX GH5S 4K Digital Camera is one of Panasonic’s best mirrorless models up to date. Lumix is an ideal choice for professional filmmakers who want to take slow-motion movies to another level.  

        Design

        It’s almost impossible for Lumix GH5 users to observe any differences in terms of the design of Lumix GH5S except a flash of red around the mode dial. It features a rather chunky body with a large, pronounced grip for secure handling. Moreover, the magnesium alloy built provides the camera with adequate strength to last throughout your photography journey while the weather sealing keeps it safe from unpredictable weather conditions.  

        Performance

        We were pretty fond of the 225-area autofocusing system of Lumix GH5, and finding it on GH5S was surely a treat. The camera relies on a single contrast-detect system rather than a hybrid system, but this doesn’t cause any issues: if anything, the AF system is brisk and precise. Moreover, it performs under light levels as low as -5EV, which is perfect for night photography.  

        Moving on, the 1,728-zone metering system is worth appreciating. We didn’t find it necessary to edit our results in the post-production exposure compensation as the performance was great throughout. Moreover, the auto white balance system produces natural-looking results, but you may opt for a preset filter if you desire some additional warmth.  

        It would be unfair not to talk about the viewfinder. It is everything we expect an outstanding viewfinder to be: large, bright with great contrast and smooth feed.

        We recommend you to carry some spare batteries for an intense day shoot as Lumix lasts for a mere 440 shots with a fully charged battery.  

        Further on, the 10.2MP sensor may seem ordinary and even a bit underwhelming to some photographers, but you don’t need to fret. The images hold up pretty well and look stunning even at higher sensitivities. We were impressed by the dynamic range too. When it comes to video quality, Lumix doesn’t hold back: there is excellent color grading with just the right amount of contrast, saturation, and highlights. If you want to shoot super smooth slow-motion videos, the staggering 240fps speed may serve you well.  

        Bottom line

        Panasonic Lumix GH5S is one of our favorites cameras to record” professional-looking” videos. Fortunately, the camera doesn’t cost an arm and a leg, and with a powerful sensor and outstanding viewfinder, it’s pretty hard to get your hands on another such device.

        What we like:

        • High-resolution viewfinder
        • Weather sealed body
        • Multi-aspect sensor structure
        • Incredible video specs

        What we don’t:

        • Poor battery life
        • No image stabilization

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        2. Sony Cyber‑Shot RX10 IV

        Sony Cyber‑Shot RX10 IV

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        • Pixels: 21.0 Megapixel
        • Max Resolution: 5472 x 3648
        • Sensor: CMOS 1″
        • ISO sensitivity: Auto, 100 to 12800
        • Focal length: 24 to 600mm
        • Image stabilization: optical
        • Recording mode: AVCHD/MP4/XAVC S
        • Weight: 1095g

        Features:

        Sony Cyber‑Shot RX10 IV is the manufacturer’s latest attempt at a high-end bridge camera meant for photography enthusiasts.  

        Design

        Bridge cameras aren’t the lightest cameras known to man, but Cybershot is an edge above. Weighing at 1095g, the chunky body includes a 24-600mm and large handgrip to justify its mass. The finishing is impressive, while the magnesium alloy and polycarbonate body provide strength to the structure. Moreover, Cybershot is dust and moisture resistant for safer handling.  

        Performance

        We were surprised to see the upgraded autofocus system. Not that Sony RX10 III disappointed us with their AF system, but the latest version includes on-sensor phase-detection autofocus and staggering 315 phase-detection points with 65% frame coverage. Moreover, it utilizes the powerful BIONZ X image processor to make use of the Sony Alpha 9’s autofocus algorithm. The high-density AF tracking mode allows the AF points to crowd around the desired subject for precision and better tracking. If you’re still not impressed, the swift 0.03-sec speed may do the trick.  

        Moving on, Cybershot delivers an incredible 24fps burst shooting speed that lasts for around 112 raw or 249 JPEG files. The electronic viewfinder is equally remarkable, with a large and bright view. The broad dynamic range is compatible with several scenes, while the rear display features a great resolution with attention to detail.

        It would be unfair of us to not mention the 24-600mm f/2.4-4 lens. The performance is outstanding throughout the zoom range, with sharp results and barely any vignetting. Cybershot also includes a built-in SteadyShot image stabilization system that works well with low shutter speeds (great for slow-motion footage) and effectively minimizes any camera shake.  

        Talking about slow-motion videos, the 1080/120p mode favors them well. We have no complaints related to the metering system or the dynamic range as they produce stunning results.  

        Bottom line

        Yes, Sony Cybershot RX10 IV isn’t cheap, but it’s worth every single cent. This powerful all in one solution is ideal for enthusiasts who are willing to spend several bucks on a highly advanced device.

        What we like:

        • An incredible 24-600mm lens
        • Superb video quality
        • Large and bright EVF
        • Advanced autofocusing system

        What we don’t:

        • It isn’t affordable
        • Limited touchscreen control

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        3. Blackmagic Design Pocket 4k Cinema Camera

        Blackmagic Design Pocket Cinema Camera 4K

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        • Lens mount: Micro Four Thirds
        • Sensor: CMOS 18.96 x 10 mm
        • ISO sensitivity: 100 to 25,600 (Expanded)
        • Recording mode: ProRes 422HQ, ProRes 422, ProRes 422LT and ProRes 422 Proxy
        • Weight: 680.38g

        Features:

        Blackmagic Design Pocket Cinema Camera 4K garnered a lot of attention soon after it’s release. It took a huge step by competing with some renowned camera manufacturers by offering a wide range of features at a competitive price.  

        Design

        Blackmagic isn’t the most” stylish” cameras we’ve worked with, but we appreciate the traditional bulbous design. It features a weighted polycarbonate/fiberglass body that feels strong to the touch. Moreover, the bulbous shape is ideal for comfortable handling while the basic button layout enhances your control over the camera. Armed with several connectivity options, you don’t need to worry about not having a microphone jack or the relevant cable.  

        Performance

        Professionals never vote in favor of continuous focus. However, Blackmagic isn’t the ideal option for enthusiast photographers who rely on continuous focus function. The AF system, on the other hand, is a delight to work with. It only needs a mere tap on the screen to swiftly select your desired subject, without compromising on the accuracy. However, we weren’t exactly” impressed” with the performance of the AF system under low light.  

        Fortunately, Blackmagic makes use of the dual native ISO. The native range rests between ISO400 and ISO3200: low light images look better at ISO3200 than at ISO2400. However, you must learn to operate this complex feature to make the most of it. There weren’t any issues with noise handling. Surprisingly, Blackmagic handles noise better at higher sensitivities. Moving on, the camera is famous for its impressive 4K video quality. The results are much sharper than any of the 4K cameras in this range, with great attention to detail, especially in the RAW files.  

        Bottom line

        We aren’t exaggerating when we say that the Blackmagic Cinema Camera is almost perfect. It’s quite hard to hard to find a budget-friendly camera that offers a stunning 4K resolution, a variety of connectivity options, and several other features.

        What we like:

        • Large and sharp screen
        • Incredible 4K video resolution
        • Several connections

        What we don’t:

        • Poor battery life
        • The screen doesn’t articulate

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        4. Sony a7R III Mirrorless Camera

        Sony a7R III Digital Mirrorless Camera

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        See the Sony Alpha A7R III
        • Pixels: 43.6 Megapixel
        • Lens mount: Sony E
        • Max Resolution: 7952 x 5304
        • Sensor: CMOS 36 x 24 mm
        • ISO sensitivity: Auto, 100 to 25600
        • Image stabilization: Sensor-Shift, 5-Axis
        • Recording mode: XAVC S, AVCHD and MP4
        • Focus type: Auto and Manual Focus
        • Weight: 625g

        Features:

        Sony Alpha A7R iii is the latest camera in Sonys Alpha A7R mirrorless range. The high-resolution device is an ideal investment for photographers willing to try mirrorless cameras without compromising on the image quality and performance.  

        Design

        Fortunately, the design didn’t go through any major changes to help the old users adapt to A7R III easily. However, there were some minor tweaks; for example, a multi-selector joystick replaced the drive mode dial. As a result, you get more control over the AF point selection. With a magnesium alloy body and increase in lens mount screws, Sony ensures a longer camera life while the dust and moisture seals keep it safe. Moreover, the menu system seems more comprehensive, and the control layout doesn’t add to the complexities either.  

        Performance

        Fortunately, Sony got a hint of improving its autofocusing system. Even though it features the same old 399 focal-plane phase-detection AF points, the contrast-detection AF points increased to 400. They work together to deliver an effortless AF performance with a brisk speed regardless of the lighting condition. Even in areas as dim as -3EV, Sony didn’t seem to give up. Moreover, there are quite a few modes to choose from, including zone modes for general shooting and Flexible Spot mode for, as the name says, flexible AF area selection.  

        Further on, the upgraded processing power contributes to a burst shooting rate of 10fps with continuous tracking. Photographers can easily snap 76 JPEG or raw images in a single go. The electronic shutter is extremely useful for tourists who want to shoot images” silently” thus, it is an ideal museum companion.  

        Sony’s 5 axis image stabilization system is a treat for the audience with improved 5.5-stop shutter speed. There is a low vibration shutter mechanism to prevent the possibility of vibration and image blur. The electronic viewfinder didn’t disappoint us either: it’s large, bright with a fast refresh rate, and 686k-dot resolution.  

        We found the battery life pretty decent for a full day shooting session: it lasts for around 650 shots without using a viewfinder. Moving on, the powerful sensor is incredible at producing highly detailed images. The final images of Sony A7R III matched those taken by the densely populated 50MP sensor of Canon EOS 5DS. The dynamic range is impressive, and we didn’t find any signs of chromatic noise up till higher sensitivities.

        Fortunately, the frame rate extends up to 120fps in case you want to try your hand at slow-motion video shooting, or you may take advantage of the 4K resolution for premium quality videos.  

        Bottom line

        Sony Alpha A7R III is, undoubtedly, one of the most well-rounded cameras we’ve worked with to date. It offers everything from a powerful sensor, an outstanding image stabilization system to secure handling.

        What we like:

        • Fast AF system
        • the advanced image stabilization system
        • Great viewfinder

        What we don’t:

        • Poor battery life
        • Limited touchscreen functionality

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        5. Canon PowerShot G7X Mark III Digital 4K Vlogging Camera

        Canon PowerShot G7X Mark III Digital 4K Vlogging Camera

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        • Pixels: 20.9 Megapixel
        • Focal Length: 24 to 100mm
        • Max Resolution: 5472 x 3648
        • Sensor: CMOS 1″
        • Image stabilization: Optical
        • Recording mode: MP4/H.264
        • ISO sensitivity: Auto, 100 to 12800
        • Weight: 304g

        Features:

        Canon PowerShot G7X Mark III was a much-needed upgrade. The numerous improvements and feature additions make it a must-have for all enthusiast videographers.  

        Design

        Compact cameras aren’t the easiest cameras to handle: there’s a fine line between usability and portability. Fortunately, Powershot hits the sweet spot with a rubbered grip for secure handling, polycarbonate physical controls, and robust build quality. The large exposure compensation dial isn’t too smooth to avoid accidental adjustments, while the overall layout makes it easier for users to operate the camera.  

        Performance

        Power shot utilizes a fairly decent AF system that performs well under good lighting with attention to accuracy and speed. The tracking system does the assigned job pretty well: you only need to tap on your desired subject for the system to lock on to it. Moreover, it doesn’t fail to recognize faces and effectively follows them across the frame.  

        Talking about the image quality, we had pretty high expectations considering that the outdated sensors of the previous versions didn’t disappoint us. Fortunately, Powershot didn’t fail to meet them and produced sharp images. They were highly detailed in the center, especially after we stopped the lens down to a mid-range aperture. It covers a decent focal range and has a reasonable maximum aperture too.  

        Furthermore, the metering system delivers reasonable performance but may cause some issues related to overexposure. However, the issues are nothing too major and can easily be solved in post-production exposure compensation. Video results are generally good, with the exception of some rolling shutter and wind noise. However, it’s a great tool for shooting slow-motion videos with a max frame rate of 120fps and extremely low shutter speeds.  

        Bottom line

        PowerShot G7 X Mark III might seem fragile, but the super long lens and a huge range of features for videographers have made it one of our favorites. We could’ve done with a builtin viewfinder and upgraded AF system, but there’s hardly anything else to complain about.

        What we like:

        • Great build quality
        • Effective image stabilization
        • Responsible touchscreen

        What we don’t:

        • No built-in viewfinder
        • Prone to overexposure

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        6. Sony Alpha a6400 Mirrorless Camera

        Sony Alpha a6400 Mirrorless Camera

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        • Pixels: 25 Megapixel
        • Lens mount: Sony E
        • Max Resolution: 6000 x 4000
        • Sensor: CMOS 23.5 x 15.6 mm
        • Image stabilization: None
        • ISO sensitivity: 100 to 32000
        • Recording mode: XAVC S and AVCHD
        • Focus type: Auto and manual focus
        • Weight: 403g

        Features:

        Sony Alpha a6400 Mirrorless Camera is one of Sony’s best APS-C mirrorless cameras that offers some highly advanced features, including a superior autofocus system.  

        Design

        Despite Sony’s claims of an upgraded design, we didn’t observe any major differences. It features a magnesium alloy body with dust and moisture seals for protection against harsh photography conditions. The upgraded shutter has a lifespan of 200000 compared to A6300’s 100000. There is a secure grip for easier handling and a simple control layout. Moreover, Photographers need to use the free moving control wheel to make any necessary adjustments. Hopefully, Sony might enhance the touchscreen functionality from a mere tap focus and shutter in the next version.  

        Performance

        The autofocus system is worth all the appreciation. Calling it” sophisticated” isn’t enough: the lighting fast 0.02-seconds speed is just the first part of a very complex hybrid system. There are 425 phase-detect points and 425 contrast-detect AF points with an 84% frame coverage. Photographers can use the advanced Real-time Tracking and Real-time EyeAF technology to recognize patterns, distance, and spatial brightness. All you need to do is select your desired AF point, and the system will do the rest. Basically, the AF system is ideal for action photography because of its swift speed, effortless face/eye detection, and impressive precision.

        Furthermore, Sony offers a decent 11fps speed with an improved buffer capacity of 116 JPEGS and 46 RAW images.  

        The metering system is reliable and delivers perfect exposure almost every time. However, some images are prone to underexposure, but you can fix this issue in the post-production exposure compensation. Moving on, the auto white balance system is pretty impressive and performs surprisingly well under some challenging lighting conditions. Sony didn’t upgrade its EVF; however, it works pretty well in terms of the resolution and magnification. Your battery life may reduce to 360 shots while using the viewfinder without which it extends up to 410 shots. However, carrying some spare batteries is always a wise decision.  

        Armed with a 24.2MP APS-C Exmor CMOS and BIONZ X image processor, Sony produces outstanding image results with attention to detail and extreme clarity. Image noise isn’t a huge issue as A6400 does a wonderful job of controlling it. Videographers find Sonys 120fps speed pretty impressive when it comes to shooting slow-motion videos.  

        Bottom line

        Honestly, there weren’t many changes in Sony A6400 compared to its well-acclaimed predecessor, Sony A6300. However, we found ourselves missing A6400s incredible, highly advanced autofocus system in all the other cameras. Moreover, the price isn’t too steep either, and you get several features to capture stunning videos.

        What we like:

        • Great autofocus system
        • Bright viewfinder
        • Several video features
        • Reasonable burst shooting speed

        What we don’t:

        • built-in image stabilization not present
        • No headphone jack

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        7. Canon EOS M6 Mark II Mirrorless Camera

        Canon EOS M6 Mark II Mirrorless Camera

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        • Pixels: 34.4 Megapixel
        • Lens mount: Canon EF-M
        • Max Resolution: 6960 x 4640
        • Sensor: CMOS 22.3 x 14.9 mm
        • ISO sensitivity:
        • Image stabilization: Digital (Video Only)
        • Recording mode: MP4/H.264 and 4:2:2 8-Bit
        • Focus type: Auto and Manual Focus
        • Weight: 408g

        Features:

        We were desperately waiting for the launch of Canon EOS M6 Mark II after working with its rather modest predecessor, EOS M6. Fortunately, it was worth the wait.  

        Design

        The first requirement of a travel-friendly camera is a compact, lightweight body. Mark is all that and surprisingly packs in some powerful specs too. It features a sturdy grip for secure handling but ignores the need for a viewfinder. There is a 1.04 million-dot tilting LCD screen that pivots forward for selfies and tilts up to 45 degrees for high angle shots. The right side is densely populated with well-placed buttons for single-handed use and some dials on the top plate for easier access.  

        Performance

        Fortunately, Mark packs in a better autofocusing system than its predecessor with a staggering 5481 AF points. All you need is to tap anywhere on the screen for the system to lock onto your desired subject. It is fast, accurate and consists of 143 auto AF areas that allow you to sit back while the camera focuses on its own. The 14fps shooting speed makes Mark ideal for action photography. For people who want to record slow-motion videos, you may go as far as 120fps at 1080p.

        Professional photographers often judge the performance of the camera by observing its dimensions. Mark surprises us all by delivering a power-packed performance, perfect for wildlife photography. The raw burst mode extends up to 30 shots at 18MP, and you can capture around a decent 54 JPEGs before the buffer gives up.  

        Marks battery life isn’t disappointing either: it lasts for 305 shots, which is ideal for an intense photography session. However, we always recommend photographers to carry spare batteries to avoid missing any potential shots.  

        Moving on, the Canon APS-C sensor is one of its kind. It’s hard to expect outstanding results from cameras that aren’t full-frame, but Mark goes way beyond our expectations. We covered the lack of built-in image stabilization by using faster shutter speeds and higher ISOs, but the images produced demonstrated a high level of detail and vibrant colors.  

        Bottom line

        Honestly, Canon EOS M6 Mark II is a treat in all departments: the compact device makes for an ideal traveling companion while the incredible features also include a powerful APS-C sensor and 4K resolution footage. All we need is a viewfinder and a wider lens range to make Mark our go-to camera.

        What we like:

        • Travel friendly
        • High-resolution sensor
        • Staggering fast burst rate

        What we don’t:

        • Limited lens range
        • No viewfinder

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        Frequently Asked Questions (FAQs): About Slow Motion Cameras

        Q: Which is better 24fps or 60fps?

        A: Traditionally, filmmakers preferred shooting their videos at 24fps as the frame rate was fast enough for a smooth film progression and was relatively cheaper. On the other hand, 60fps offers much realistic footage but isn’t quite famous amongst filmmakers since most films aren’t meant to look natural. 24fps offers a significantly lesser number of frames than what our eyes can take in, allowing viewers to get extremely involved in the film. Moreover, most projectors aren’t capable of projecting movies at 60fps for which you may need to invest in a more expensive device.  

        Q: What is the best fps for slow motion?

        A: Now that you’ve planned to shoot a slow-motion video, you must choose your frame rate. The cameras offer a minimum frame rate of 30fps while the maximum fps may extend up to 2000fps in some high-end cameras.  

        60fps is relatively slow and is great for showing candles being blown out or a walking scene.  

        Slower sports look good with 120fps, as well as footage of animals running around. For scenes that are happening way too fast, for example, a car race, waterfall, 240fps may be your best bet.  

        480fps is often the last option on some cameras and a great one indeed. It’s ideal for shooting skiing trips or golf swings or anything too fast for your eyes to take in.  

        Q: What is the best shutter speed for slow motion?

        A: Almost every videographer wants to get their hands on a slow-motion device for the cliche dramatic effects.  

        In order to make the most of a slow-motion video, you must focus on the shutter speed. The shutter opens for only a slight second to control the amount of captured light and movement. While action footage needs motion blur to demonstrate the movement, a slow-motion video needs to have firm control over the motion blur. Frame rates should be half of the denominator of your shutter speed (24fps at 1/48). Therefore, shooting a slow-motion video at 120fps requires a shutter speed of 1/240. Make sure to set the speed beforehand to prevent blurry results.    

        Conclusion

        We hope you enjoyed reading our list of the best slow-motion cameras. Apart from offering diverse frame rates, they deliver stunning images and a wide range of features to enjoy videography experience. However, there are some factors you must keep an eye out for to make the most of your footage, for example avoiding unreasonably high frame rate and shooting under good lighting.